I remember the first time I saw a Fulci film and I hope you don't
mind while I reminisce a little. I was 11 and in the 6th grade (so we are talking
1985). Ironically, in my younger age I was tremendously terrified by movies. I
would even cry once entering the local fair's haunted house after being egged
on by my father. But now I was in the 6th grade and ready for anything. This was
the time before cable TV when satellite TV services like ONTV and Select-TV were
a hit with dishes that you could buy at the local auction to pirate the services.
Tired of catching all the boring late night stuff on local TV, I began checking
out what was showing on these satellite services, provided my parents weren't
around, which usually resulted in me either ending up in my room or the TV being
turned off once a breast flashed across the screen. One summer night, a spooky
little gem known as HOUSE BY THE CEMETERY was to
be shown just at sundown. A neighbor friend of mine was too afraid to stay and
watch, so he called his mother. Although only living a few blocks away, it was
raining and with his braces he didn't want to be struck by lightening (a phobia
caused by my constant plays on his geekish vulnerability). After viewing the film,
I was stunned, completely dumfounded, excited, and raving mad for more. While
raiding my local mom-and-pop video store, I unearthed other treasures like ZOMBIE
and GATES OF HELL back in the days of Vestron Video.
I couldn't get enough. By this time I had a video tape full of Misfits shows and
ZOMBIE, and so began my video collection.
It wasn't until a few
years later when I started putting things together. I was just renting things
blindly since I didn't know who or what exactly I was looking for. Not to mention
the fact that my whole world of horror videos was whatever was on the shelves
at this particular video store. If it looked good I would watch it, not knowing
or really caring at the time who the director was. Finally I realized Fulci
was behind the three above listed classics all along.
I have some fond memories
of my mid-teen years as well. This was a time of discovery and fun. Who needs
chicks when you've got flicks? I could care less about going to the prom or
doing my homework for that matter. All I wanted to do was watch movies. Virtually
every Friday night, my good friend, Matt, would spend the night. We would eat
pizza and watch all kinds of gross and disgusting things, from 'Basic Autopsy
Procedures' to NEKROMANTIK to VIOLENT SHIT, anything we could get our hands
on. I had grown tired of the crap I kept finding at the local video stores which
led to my discovery of renting and trading by mail. We used to have so much
fun. I will never forget one particular night while Matt watched GATES
OF HELL for the first time. The scene of Michele Soavi staring in fright
at his girlfriend vomiting up her entire intestinal tract, had him laughing
so hard he was literally squealing and had to put a pillow over his race. Those
were great and innocent times. You felt like you were discovering a new world.
My interests grew and grew and I continued to dig deeper. 15 years (as of now)
since I first saw HOUSE BY THE CEMETERY, I have
grown to greatly appreciate Fulci and his work. Though largely shunned by most
'distinguished' critics, Fulci had a way with his audience. He understood what
they wanted and he, more often than not, delivered, leaving him the most continually
censored director in Europe. Fulci is one of my all time favorite directors
and in my mind is equal to the greatness of, say, Dario Argento. Both directors
are masters, though on different levels. While Argento's films toy with the
ideas of murder and sadism, Fulci was never afraid to completely jump right
in and roll around in it. Joe D'Amato, has stated that he personally made gore
films because he was terrible at creating suspense and I think the same statement
holds true with Fulci to an extent. Fulci was able to occasionally create suspense,
but I think he had more fun leaving his crowd disgusted than frightened. Though
his films aren't always as coherent as we would like them to be, they are brimming
with attitude and always a lot of fun. Without a doubt, Fulci is one of the
most popular and famous of Italian directors.
This page is in no way
'The Definitive Fulci' but mostly my way of becoming much more familiar with
the man's work as a whole and hopefully giving me a chance to learn a little
more about his personality. This is my way of thanking Fulci for all the years
I have enjoyed his work and the many years ahead. By being so close to these
films, you begin to really consider them your friends, in a way, so here's to
many more years of friendship.
Rest in peace, Lucio.